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Tags: A Lover's Discourse, A Night in London, academies, Accademia Musicale Chigiana, acting, Acting for the Camera, Actionist Art, Actionist Stagings of the Body, Actress and Dancer Lucy Kieselhausen, agrarian romanticism, Aktionen, Albert Londe, Albert Londe and Jean-Martin Charcot, Alexander Sacharoff, androgynous couple, Anita Berber and Sebastian Droste in their dance Märtyrer, Anton Josef Trčka, Anton Josef Trčka Egon Schiele, Arthur Benda, Ausdruckstanz, Austrian art, Austrian avant-garde, Austrian performance artist, Austrian photography, Bewegungsstudie, Bill Brandt A Night in London., Bodies as Photographic Material, choreography, Christine Furuya Gössler, Clotilde Margarete Anna Edle von der Planitz, Clotilde von Derp, Clotilde von Derp-Sacharoff, Conrad Veidt, constellations of bodies, Der Künstlerische Tanz unserer Zeit, Dora Kallmus, Dora Kallmus and Arthur Benda Anita Berber and Sebastian Droste in their dance Märtyrer, early days of modern dance, Egon Schiele, Elektrischer Schnellseher, erotic pictorial repertoire, Erwin Wurm, Erwin Wurm One Minute Sculpture, expressionistic dance, expressive dance, Ferdinand Hodler, fixing time and space, Franz Xaver Setzer, Franz Xaver Setzer Conrad Veidt, Free dance, Günter Brus, German dance, German Dance Archive Cologne, German expressionist dancer, Gertrud Kraus, Guido Chigi Saracini, gum bichromate, gum bichromate print, gum bichromate process, Gustav Klimt, Hans Gasser, Helmar Lerski, Helmar Lerski Metamorphosis through Light, Hugo Erfurth, Hugo Erfurth Clotilde von Derp-Sacharoff, In the Arms of Nature, Jean-Martin Charcot, Johann Victor Krämer, life reform movement, living pictures, Lucy Kieselhausen, Madame D'Ora, Martin Imboden, Martin Imboden The Dancer Gertrud Kraus, Metamorphosis through Light, Models for Artists, modern dance, Motion Studies, Motion Study, movement vocabularies, Multicolor gum bichromate print, O.
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